Murphy’s prior soundtrack work including Guy Ritchie’s Lock, Stock and Two Smoking Barrels had featured a lot of existing music. Marking the first collaboration between Boyle and composer John Murphy, the score for 28 Days Later veers between the haunting and complete edge of your seat listening.
MUSIC IN 28 DAYS LATER MOVIE MOVIE
Starring then relative unknowns Cillian Murphy and Naomie Harris as survivors Jim and Selena, the movie follows their desperate attempt to escape the Rage virus epidemic that has transformed the UK population into bloodthirsty zombie-like beings. with a unit base already taking up the street.This month’s Top Score comes courtesy of Danny Boyle’s post-apocalyptic horror 28 Days Later. Link to Google Streets - From approximately where that shot was done - currently showing a view from March 2017. The Southern end of the road is an easy 'impressive-looking' road to close off for a whole Sunday, because it doesn't really go anywhere & it's simple to drive round if you really have to be somewhere obstructed by the filming. On the other hand, the 3rd picture is of Waterloo Place [Just North of the Mall, central London. Then the traffic flows again until the next take. The rest of the time, the roads are open.ĭepending on how long it takes, the shout will go up to "Lock off" & everybody holds their particular road until cut. Waite mentioned in his comment, you get lots of runners to stand in the way of people, pleading/cajoling them not to walk across the location whilst the cameras are actually rolling. The bridges in London are hard to close for any length of time - as Paul D.
I remember reading around the time of the movie coming out, that a bigger problem were drunken revellers spilling out of nearby bars and clubs - the production crew hired a number of attractive young women to distract and guide people around the shoot.Īn addendum to HorusKol's answer, rather than one that would stand alone. Mostly, the crew would reset and try for another shot if something like that happened. I think if you look carefully there is at least one brief shot of a moving bus in the distance. However, even in the wee hours of the morning, Westminster and London and the surrounding areas are not completely empty. It was very exciting, and when you see the whole of Westminster Bridge and the embankment all closed for you, and the traffic stopped, and you can't hear anything, it was thrilling but strange as well.Ī lot of the scenes are filmed in the inner cities of Westminster and London (the City of London itself is a square mile in the middle of Greater London), and these are mostly commercial and government offices - not a lot of residential areas - so there was not a huge number of people waking up and heading to work. We were able to shoot for an hour or so before the city got too busy for us to hold back the traffic. In fact, the dusk light (the golden light you see in some of the stills you posted) was probably used to provide an additional sense of eeriness to some scenes, along with some filtering/grading to reduce its effect in others.īefore we started the main shoot we took a week in July, beginning each day at three or four every morning and would wait for the sun to come up To get around this, the empty London scenes were shot very early in the morning - sunrise in London is about 5am in the summer, and there is a long dusk before true sunrise which gives a decent amount of light. Although, it seems that the producers were able to get some road closures, but under very limited conditions. However, this is not usually permitted in London (even huge productions like Bond get very limited privileges in London), unlike a lot of America cities. Normally, movie producers would obtain permits to shut down roads around city filming locations.
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